Saturday, 15 June 2013

time

I spend a lot of time right now thinking about time.

Wanting more time, less time.

Wanting space free of time.

But there's nowhere I go, nothing I do where there isn't a clock ticking in the background of my mind. A clock counting down.

I read this post by Stephanie and knew exactly what she was talking about. We are only a few days different in age and this year we've got more than birthdays in common. This is a great post, but not up to Stephanie's usual standard of clear ordered thought. I think maybe it's the disorder that feels so true to me right now.

I can't make sense of the see saw I feel between the most basic of survival instincts, the human embrace of love that has me scrambling, fighting, clawing for every precious extra day I can share with my mum and the recognition of the living hell she has sliding painfully, terrifyingly towards death.

She wishes fervently for a swift passing and an end to her suffering and uncertainty. She hates lingering in this place, growing more feeble and dependent and all too knowing. She hates impacting on the lives of those she loves, she hates being so reduced and in such a public way. She hates the surreal future-less life.

But her body, like ours, fights. It rallies at every opportunity to remain here. It pushes her to think and plan and strategise how to cope. It shows all the strengths that have carried her through this life, that have seen her recover from significant blows, that have given life to me and my siblings and so many many others.

Months and months ago we booked this weekend away, a winter birthday treat in one of the most beautiful places on earth. Both D and I have been coming here regularly since we were kids and it holds a special wild beauty soft spot for us. We marvel how deeply our memories hold, how unchanging the landscape and landmarks are, even while so much else has changed.

And it is a treat to be here in this beauty. Sitting tucked up in our toasty warm cabin between blustery walks, doing puzzles, playing games, having snacks. Living life.

But mum seems so far away. I know being with her won't change that, it's loss not distance I feel.

Utterly perversely I think I'm also grieving for the end of hexagon purgatory. While the blanket isn't actually finished, there's only the border to do. I wove in the last end on the 460th hex on the night of my birthday and my sense of achievement was strangely over shadowed by the sense of loss.

I've been working on the blanket in earnest since mum was diagnosed and it seemed then like the project that could never end. It's been with me at hospitals and beside beds and in hospice. It's been on my mind while I tried to solve the final design elements of the half hexes and border, dealing with discontinued yarn and blocking in parallel with visiting schedules and funeral plans.

I think the hole left behind scares me a little. I'm still not really able to knit, so what will I do now? What will I take with me to bury my head in when looking straight ahead is just too hard? How can I balance my urge to make with my feeling of futility and wasted effort?

I'm trusting something will come, I know it always does. The will to survive and make always wins out, even as the light is fading. But I'm just a cork bobbing on the ocean right now, trying to hold my breath when the waves pull me under and enjoy the sun when I can.

 

Friday, 3 May 2013

up close

Every doubt I've ever had about the consequences of sharing my thoughts on the Internet are magnified about 1000% right now. Other people in this very complex picture have a right to privacy but I'm also hyper conscious about the sensitivity everyone feels when death is hovering.

Everyone is sad or scared or angry or desperately in denial. Talking hurts some people even while it helps others. I am experiencing so many heightened emotions, but also reflecting on some very simple realisations.

I am surprised by how little patience I have for other people right now, outside of a small group who somehow seem to be inside the glass jar with me (I am incredibly glad to say primary amongst them is my bloke). This is my over sensitivity, I know it. And I am hardly consistent in what touches me and what strikes me as bizarrely insensitive. I have bad days. And worse days.

Human interaction isn't perfect and I don't usually expect it to be. The myriad of misunderstandings and foolishness that arise from our widely diverse experiences and perspectives can never be resolved into simple truths and generally I try pretty hard to be cool with that. But now the membrane between normal life and unbearable grief is only wafer thin and I have no capacity to be tolerant.

It seems helplessness in the face of tragedy gives people license to speak and act without reflection on what will come from that. I know I've done the same, let my own emotional discomfort run the conversation all the while believing I'm being emotionally supportive. I live in hope that this experience will change that about me.
As one lovely person said to me after witnessing one interaction, there's only two things it is ever appropriate to say to someone unless you are exceptionally close and that's "I'm sorry" and "can I do anything?".

I'm not a very private person but suddenly I feel like everyone is pushing hard on that thin film of
protection I have from being fully immersed, from drowning, in the awful reality of what I am experiencing.
Is it reasonable to expect people to understand that detailed enquiry feels invasive? That asking me to recount what has happened is tantamount to asking me to relive it? That their attempts to make sense of things (out loud and interactively) don't help me at all? That crying about it in front of me only makes me sadder?

Is it only me who experiences expressions of sympathy as abrasions on a thousand raw nerves?

Even while I am shocked at people's insensitivity I know it is only my hyper sensitivity that makes it so shocking. Because frankly, I'm surprised to feel this way. To feel so little comfort from others when comfort is what I crave. I'm a person who dwells with others, so why are they so impotent, or worse, when I need them the most to be at their embracing best? I'm surprised to say I find the company of others a little frightening. I fear how they may inadvertently make me feel, I fear how difficult it will be to try and contain that, and how badly I might behave if I can't.

I wish people's offers of help and support could somehow lighten the load. Frankly I'm pretty exhausted. Quite aside from what I'm feeling there's an awful lot to do. There's decisions and negotiations and a lot of being very careful and thinking about others. There's errands and chores and phone calls. A lot of people to keep at bay who simply don't pick up on cues and hints that we don't have energy for them right now.

[Don't get me started on the people who say I know you don't want visitors but I'll just pop in, or I know you don't want to talk about it, but I'll just ask a few more questions. That part isn't our over sensitivity, it is most definitely a lack of emotional self containment on behalf of other people.]

Life is getting neglected, joy is getting squeezed out through every crack and join. And that's the kicker, the salve to sadness is the first thing to go when everyone else thinks they can best help you by getting in bed with the gore and pain. It isn't insensitive not to wallow, it's right to run from death where you can. Other people being happy reminds me that its still possible even if it seems a long way off for me right now.

I'm fighting as hard as I can to grasp at flashes of joy. And while its a walking stereotype I feel incredibly lucky despite all the horror. Lucky to have had the time I've had with those I love, lucky to be able to hope for lots more time yet with so many of those I hold dear. There is much to appreciate about the now and I realise how much I've cheated myself of past joy by not recognising the importance of what was right in front of me.

I'm surprised too to suddenly find twitter utterly unbearable. The amusing anecdotes and shared groans about life's frustrations seem completely trivial and petty and it frightens me how of all the things going on for people everyday this is the stuff they want most to share. The snipes, whines, complaints, criticisms and character assassinations far outweigh the other stuff.

What once seemed like keeping it real now seems like so much temper tantruming, with about as much dignity and self control as I'd expect from a toddler. I'd read this kind of view of twitter before and totally dismissed it but I've suddenly become acutely aware of how often I think about tweeting simply to vent my anger or share a complaint about a minor irritation in my otherwise pretty excellent life. I'm horrified how often this is the dominant use I find for communicating with people on social media.

Why do I want to harness to awesome powerhouse of social media for the purpose of wallowing in #firstworldproblems? Why do I think anyone gives a crap if I got harassed at the supermarket, cutoff in traffic, overslept, overcharged, broke a fingernail, missed my favourite tv show, got a wedgie, a cold or spilled my $5 coffee on my shirt? Is that really the heights to which I aspire in connecting with the world and other human beings? Is that the kind of inspiring, creative, amusing and life affirming message I want to send out there about who I am and what I'm about?

I know it's the grief talking but really, I just want to slap a good number of tweeters and remind them that they are living incredibly privileged lives. So I'm keeping away because its not nice to slap anyone even if they may possibly deserve it.

Edited to add: a kind reader has sent me this link, and it is a really simple way of explaining how to deal with people in crisis in terms of your own behaviour. I want to make it compulsory reading for everyone everywhere! I encourage you to read it if you have ever thought i just dont know what to say or do here, but in case you don't here is a very brief summary.

Draw a circle and put the person who is at the centre of the crisis in it. Draw progressively bigger circles around this putting the names of people who are progressively more distant from them in those circles. The most inner circle might have a spouse, or parent or child or sibling, the next circle might have children or close friends, and so on, right out to aquaintances, neighbours or work colleagues.

The basic guide to behaviour is that while everyone has a right to express their pain, anger, grief, exhaustion and to offer advice and commentary, they can only do it to people in a bigger ring than they are in. When they are dealing with people in smaller rings they can only offer support, sympathy and help. In general they can listen but not talk and certainly not advise.

While there's a few complexities the model doesn't provide guidance on, like how to deal nicely with people who think they are in much smaller rings than the person in the centre thinks (grief as a competitive habit), or what happens when people in inner rings have to act on behalf of the person in the centre and people in other rings disagree with their decisions (interference vs advocacy), in the main it's a brilliant guide.

Edited again to add more : this is another great link a reader pointed me to, 10 simple rules for talking to sick people in a helpful way. I wish I'd read this one years ago too.

Tuesday, 9 April 2013

indigo blue

Another kind of processing

Natural Indigo dyeing. Just amazing. Big thanks to you Woollenflower!

Tuesday, 2 April 2013

processing

I'm processing the worst kind of bad news.

Seeking solace in baking bread and eating chocolate.

Knitting enormous big cashmere hugs in a futile attempt to protect and comfort.

But inside I'm just drowning in the enormity of it.

Suddenly the world seems like its made of glass and everything could shatter if I even breathe. It might shatter even if I don't.

Every blissful moment of forgetting is followed by another terrible crashing wave of remembering.

The immediate future involves a lot of waiting and then the rendering of the finer details of the unfolding tragedy.

I can't talk about it without crying but I simply can't care about anything else.

So expect more bread baking and a lot of letting everything else slide.

Monday, 1 April 2013

teach

One of the reasons I love teaching, especially the kind of teaching I get to do these days, is that so often I feel like the student. Small classes where students bring their own projects and interests mean (a) I'm not teaching the same stuff over and over, (b) I get to connect with students as individuals and (c) I get to work alongside those individuals solving their problems.

The unique combination of personality, experience, attitude and technical issues gets me rethinking things I often do on automatic pilot. Just bringing something to mind can be enough to shift my perspective on it.

And other stuff too - that sewing is hard, requires concentration to do well but can be absorbing in a way that obliterates other kinds of worry and stress. That you can choose when near enough is good enough and when it isn't. That the time spent creating in company has a quality that is wholly different to most other kinds of time.

I was thinking about some of this stuff last week too. While my last craft camp produced some good outcomes, I felt a little disappointed with myself that I'd rushed a couple of projects and the finished garment really suffered. I was in near enough is good enough mode and forgot to switch gears for projects that warranted closer attention. I've never been hung up on perfectionism, and I'd still say there are many situations where a few corners can be safely cut in the name of keeping production goals attainable.

But after camp I was hankering for one of those projects where I really focused on a good finish. Not too complicated because I don't have endless time or patience, but complicated enough to give me a good solid 'piece' as a reward. While I've got a bunch of projects on the pile, each one of them has something unresolved about them and the need to modify patterns, find a better fabric to pattern match or imagine them fitting in with the rest of my wardrobe are great disincentives to getting going.

When I saw the Jac shirt pattern I knew it was exactly what I wanted. Shirt making is hard but not impossible, it requires precision and attention to detail and a well drafted pattern but if its well put together it can be an indispensable wardrobe staple. I don't have many shirts, mostly because the standard version can look particularly shapeless on me so I was both happy to add a new one to my fold and also try something that was a bit of a twist on the norm.

Like the Lily dress, the Jac is particularly tidy - small drafting and construction details come together to make garment both fully serviceable but distinct at the same time. I added a bust dart (a fairly standard adjustment for me), upsized the pattern, narrowed the shoulders for a sharper shoulder line, added a large patch pocket on the right front and increased the size of the buttons.

I think the various changes give the shirt an almost jacket like look and I love it. I love the wide stitched hem, the uncommon angle on the collar tips, the sleeve vents and angled side seam. I'll be upfront in saying I work at Tessuti, but its not employer loyalty here. I think Colette has a great eye for a really polished finish that doesn't simply rely on a novelty approach to breaking a few foundational drafting rules.

But I'm also feeling really invigorated by seeing the result of a bit of slow sewing. I won't be abandoning the instant gratification of a quick sew - the current to do list features some kid PJs for example - but I'm glad the pendulum has swung back a little.

I used the momentum to sew Wil some new jeans and a dressing gown for Amy. Last year I bought Wil's jeans early in the year (part of my regretted slide into cheap sweat shop produced clothes) but as it turned out he wore shorts for pretty much the whole of winter so a year on they are all ridiculously small. He's a fussy dresser and would rather skip clothes altogether than wear shorts that are too long, a knitted jumper or jeans with a closure he finds awkward. So I got his criteria for good jeans (black, some elastine in the denim, proper pockets front and back, elastic waist with fake front fly, embellishment on back pockets, contrast colour stitching on hem, back yoke) and looked over Ottobre back issues to find something that was either perfect or adjustable.

As usual, Ottobre provided a near perfect match. While the pattern was made for plus size kids (ie short for width) and my kid is pretty much the opposite (ie narrow for height), adding length to a smaller size was no biggie. I actually really enjoyed putting them together! Clearly still in my taking care mode I found the process meditatively orderly, and both Wil and I were happy with the results.

The cooler mornings had prompted a reassessment of the home made dressing gowns from the winter before last - and luckily Amy's was gender neutral enough to facilitate a hand me down. Amy wanted something a bit warmer than her previous so she chose a kimono inspired design from Ottobre and a bunch of polar fleece pieces for a colour blocked version.

While the resulting garment definitely won approval from the girl it was considerably less enjoyable to sew. I hate pretty much everything about polar fleece except how incredibly practical it is for messy kids, and my overlocked feels the same way. There was broken threads and lumps of not quite cut free seam allowance and all manner of other frustrations. In the end it was far more near enough is good enough than slow sewing, but I'm ok with that.

 

Tuesday, 12 March 2013

china

Wildlife sanctuary Laos, 1994
I've hit a milestone. I'm tempted to say that my reward is a license to pass judgement and offer advice, but don't worry, not even I believe that.

In the mouth of the giant pumpkin, Buddha park, Vientiane, Laos, 1993
The fact is keeping an exclusive romantic relationship afloat for twenty years is a reward for persistence, not skill. Instead of giving each other new china, perhaps we should be giving each other medals for stubbornness. They wouldn't be entirely inappropriate to be sure.

Waterfall swimming, Laos, 1993
But I'm glad in so many ways that we've both managed to stick with it through all the ups and downs of getting from there to here. We've traveled a lot of kilometers together over the last two decades. In fact when I went looking for old photos of us for this post I couldn't find a single one where we weren't away from home.

Travel, Lao style, 1994
We'd only been going out together for a little over six months when I took off for an indefinite time traveling and maybe resettling elsewhere. It only took four weeks before he'd joined me. We both knew that if we made it through the pressure cooker of backpacking in Asia we'd probably be OK and if we didn't well, we could part ways and get on with our lives.

The joys of poste restante in a pre mobile and internet age, Bangkok post office, 1993
We made it through Laos and Vietnam with black market visas, a few half truths and an awful lot of drink. Through India, Nepal, Thailand (six times in and out on that trip), Malaysia, Singapore, Indonesia. We made it through being stranded, lost, sick, falling down Bangkok drains and almost caught in the no man's land between two countries after dark.

Reading the papers on the river Kwai, Kanchanaburi Thailand, 1993

Through deserts and monsoons, a lot of very very hot weather and some notable flashes of extreme cold.

Atop Borobudur, Java Indonesia, 1994

 We both revisited places we'd been before but experienced them totally differently. Noticed new things, tried new things, felt new things.

The sand dunes at Seal Rocks, New South Wales Australia, 1994
We had disagreements and argued, we did things we didn't want to, missed out, messed up, were disappointed (sometimes with ourselves).

Wyperfeld, Vicoria, 1994
But we kept going, through Asia, into Northern Australia and on a slow road home in a 1979 XC Falcon with a tent and two chairs and not much more.

Little Desert, Victoria, 1994
Over the next few years we worked and camped on weekends and every now and then gave up our jobs to go bush for a few months.

The Grampians, Victoria, 1994
 We experienced a lot, saw a lot and traveled even more kilometers. We slept on the lowered tailgate of the 1967 Falcon wagon and watched the stars, about as close to touching them as you can ever get.

Sorrento, Victoria, 1995
 I would never have lived this life of my own accord, and if I were to provide some kind of summary of what my bloke has given me the journey couldn't be more apt.

Flinders Ranges, South Australia, 1995
While we don't get about as much these days as we used to, our traveling hasn't ever slowed down.

The Oodnatatta Track, 1996
 Every day D shows me the sights - like I get to experience life through my eyes but his as well. Two lives for the price of one!

McDonnell Ranges, Northern Territory, 1996
And while travel is hard - make no mistake about that, this is not club Med - there is nothing more exciting, enriching, spine tinglingly alive making than life on the road. I feel incredibly lucky and deeply grateful and more than a little proud of the me back then who was smart enough to recognise a good thing when it passed my way.

The mighty Uluru, Northern Territory, 1996
Twenty years is a long time mate, but not nearly enough. xxxx